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bali-tours
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EAST OF BALI
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| Tabanan | East of Bali | South of Bali | North of Bali | West of Bali | ||||||||||||||||||
The town of Klungkung centers around the Puri Semarapura or the palace of the god of love, former home of Bali's most illustrious line of kings. Unfortunately all that remains now are the great gate and garden and two pavilions with magnificently painted ceilings. They are the Kertagosa hall of justice overlooking the town's main intersections, and the larger Balekambang or floating pavilion just behind it. The rest of this splendid complex was razed to the ground in 1908 during the royal mass suicide or Puputan against the Dutch invaders. It is the greatest of all Balinese sanctuaries, the most sacred and powerful of the island's innumerable temples. It lies at an altitude of 900 meters on the southwestern slope of the mountain, offering spectacular views offer the whole of southern Bali. It is not a single temple but a sprawling complex consisting of many separate shrines and compounds, united through ritual and history into a single sanctuary. Candidasa today is a bustling seaside resort with the full range of hotels, home stays, disco bar, money changer, shops and restaurants. How long the development will continue is an open question, as the beach is eroding quickly and the once spectacular views across the sacred lagoon to the beach is now blocked by bungalows. Swimming is only more or less possible at high tide. Despite this breeze and it's a good resting point for trip to the east and north. 6 kilometres from Amlapura you will find the Tirtagangga water palace. This palace, built around 1947 by Amlapura's water loving king, is a palace of beauty and solid. The palace contains a network of pools and swimming pool fed by a natural spring, surrounded by some of the most beautiful rice terraces in Bali. From Padang Bai the road follows a beautiful stretch inland and turns off at the mountain village Tenganan. Tenganan is a Bali Aga village-one of the few Balinese communities to resist the Majapahit invasion of 1343. It is a walled village consisting of two rows of identical houses. This is the only place in Indonesia where double-weaving ikat, Geringsing, is produced. The village is also famous for its lontar sacred books, traditional Balinese palm-leaf books The cool, mountainous regency of Bangli was long fought over by rulers from neighboring kingdoms, for here lies lake Batur, the major source of irrigation water for most of South and East Bali and part of the north. The ruling house emerged during the early years of the Klungkung kingdom during the 1700s to which it is related. In the mid 1800s Bangli sought Dutch protection from Klungkung, Karangasem, and Buleleng, but by the end of the 19th century it was joining its former enemies against powerful Mengwi to the west. Bangli's mountainous region
centers around the spectacular volcanic crater (or caldera's) of Batur.
Mount Batur itself is actually just a small volcano, but its setting is
in the heart of a huge crater 14km For a complete panoramic view, you can drive half the circumference of the crater along its upper rim. The highest point is Bukit Penulisan. Here, one of the most ancient of Bali's temples contains the remains of carvings from the earliest Buddhist period. From Penulisan the road continues towards Buleleng and Kubutambahan. One very interesting excursion in Batur is the climb down the inside of the crater from Penelokan to Kedisan. You can then drive around the smaller Mount Batur, through Songan. From Toya Bungkah, boats cross the lake to a Bali Age village called Trunyan. This place is notorious for its mortuary traditions. Instead of cremating the dead, as Balinese do throughout most of the island, the Trunyan community leave the bodies to decompose naturally in a special cemetery. There are also hot springs and lodgings in Toya Bungkah. From Songan there is a beautiful trek to Tianyar to the north coast of the island. The adventurous traveler may even wish to climb Mount Batur itself. TRUNYAN The villages consider that the tree is very important because the corpses of the dead person are just laid down on the open grave under the tree and left the faces open; where as their bodies are simply covered by white clothes, surrounded by "ancak saji". This method of burying corpses is called "MEPASAH" KEHEN
TEMPLE
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